27 December 2010

blog has sent you a link

blog thought you'd be interested in the following article at Reason
Magazine:

Easy Money For College Can Mess You Up, Man.
http://reason.com/blog/2010/12/27/the-higher-ed-bubble-plus-kath

18 December 2010

Michael Moore banned in Cuba

His movie, Sicko, supposedly depicted the superior medical system available under the Communist government of Cuba as opposed to the deficiencies of the capitalist system in the United States.
So a little ironic that his movie won't be shown in Cuba.
Castro's government apparently went on to ban the film because, the leaked cable claims, it "knows the film is a myth and does not want to risk a popular backlash by showing to Cubans facilities that are clearly not available to the vast majority of them." …
The info is from Wikileaks. The story from The Guardian 
...the only way a Cuban can get access to the hospital [depicted in Moore's movie] is through a bribe or contacts inside the hospital administration. "Cubans are reportedly very resentful that the best hospital in Havana is 'off-limits' to them," the memo reveals.
Yep, that sounds like a Communist model. Politics - who you know - determines who receives the best care. 

16 December 2010

By its fruit, the tree is known.

Great discussion of Communism vs. Nazism at Instapundit.
One excerpt:

I'll repeat: The difference between Communists and Nazis is mostly PR, and the PR is better because more journalists and academics were communists than Nazis.

And reader Michael Ravine notes what Robert Heinlein said about communism: "I regard it as Red fascism, distinguishable from black and brown fascism by differences of no importance to me nor to its victims."

Some Communist apologists appear and are rebuked.

15 December 2010

If California is the future of the nation ...

It doesn't look good.

Here's an anecdotal analysis from a longtime Californian.

It's a longer piece but it reads well. One bit I'll excerpt (but it's worth reading all)

Fresno's California State University campus is embroiled in controversy over the student body president's announcing that he is an illegal alien, with all the requisite protests in favor of the DREAM Act. I won't comment on the legislation per se, but again only note the anomaly. I taught at CSUF for 21 years. I think it fair to say that the predominant theme of the Chicano and Latin American Studies program's sizable curriculum was a fuzzy American culpability. By that I mean that students in those classes heard of the sins of America more often than its attractions. In my home town, Mexican flag decals on car windows are far more common than their American counterparts.

I note this because hundreds of students here illegally are now terrified of being deported to Mexico. I can understand that, given the chaos in Mexico and their own long residency in the United States. But here is what still confuses me: If one were to consider the classes that deal with Mexico at the university, or the visible displays of national chauvinism, then one might conclude that Mexico is a far more attractive and moral place than the United States.

So there is a surreal nature to these protests: something like, "Please do not send me back to the culture I nostalgically praise; please let me stay in the culture that I ignore or deprecate." I think the DREAM Act protestors might have been far more successful in winning public opinion had they stopped blaming the U.S. for suggesting that they might have to leave at some point, and instead explained why, in fact, they want to stay. What it is about America that makes a youth of 21 go on a hunger strike or demonstrate to be allowed to remain in this country rather than return to the place of his birth?


14 December 2010

Young entrepreneur help desk

Help for young adults who want to start a business. Started by a film school grad who lived it.

08 December 2010

quote o' day

Much of the social history of the Western world over the past three decades has involved replacing what worked with what sounded good.
Thomas Sowell, Is Reality Optional?, 1993
(1930 - )